Friends who know my work as a systems theorist, including my speculations about the evolutionary developmental (evo devo) nature of our universe, and the potential attraction of universal intelligence to black hole-like environments (the developmental singularity or transcension hypothesis) have asked me for my take on Christopher Nolan’s latest film. Here it is, along with a fun exercise, called the “mental rewrite,” that we all tend to do when confronted with story implausibilities, an exercise worth doing for flawed films we particularly like.
Interstellar is an ambitious and soaring film, and it deals with important subjects, often very well. Nolan and his team, especially the brilliant composer Hans Zimmer, seem to get better with nearly every film. On its face, I’d give it a 7 out of 10 on Amazon’s IMDB. Anything above 6.8 is usually worth watching, in my book. But by mentally rewriting some of its critical scenes, I was able to give it a much higher score.
Mental rewrites are great imagination exercises, and incredibly satisfying when you can pull them off, either on your own or in conversation with friends. Successful rewrites route around the damaged parts in a story by reimagining them in a better way. I’ve done hundreds in my life, both for films and books, and I bet you have too. One of the neatest things about the mental rewrite habit is that the more you do it, the more you start forgetting the director’s version of everything and remembering yours. You become the director of the construct that matters most, your simulation of the essence of the movie or story, in your own mind. You must be a self-appointed critic to do this, making a judgment that the creatives made some bad choices, taking a DIY attitude, and seeking to do better. Maybe that, and the validation from others on your better rewrites, is what makes it so fun.
Rewriters tend to be both critical and creative folks, connoisseurs of both plot and possibilities, and risers to the challenge of fixing things they don’t like. Rewrites seem particularly worth doing for stories with plots, writers, directors, actors, or characters that you mostly love and don’t want to forget. Some books and movies only need a few minutes or pages to be mentally fixed to be great. Others may need whole sections fixed, and many don’t seem fixable. I find if any movie needs 10% or less of its running time to be mentally rewritten to be both believable and epic, and the rewrite is findable without too much mental effort, I usually am generous and give it my rewrite rating on IMDB, rather than its lower original director’s rating. I’ll also make exceptions beyond 10% for particularly good movies. Nolan’s latest film is in the latter category. I had to rewrite more than a tenth of it my head, but I still give it a rewrite score of 9 out of 10, as it was a fun and not-too-difficult exercise, as the rewrite truly makes it epic for me, and as the director and his body of work, including Memento, Dark Knight Trilogy, Inception, and Man of Steel are truly special.
If you haven’t seen Interstellar yet, please do! It is inspiring and mind-opening, as our best sci-fi should be. My proposed rewrites are below.
For predictions on the future of mental rewriting and remix culture, see For the Future… after the rewrites.